Pop Culture

The True Story of N.W.A. Playing “Fuck Tha Police” Live in Detroit

In the summer of 1989 in Detroit, N.W.A. made it through some 30 seconds of “Fuck Tha Police” before apparent gunshots went off in the crowd at Joe Louis Arena. Prior to that, Ice Cube, Dr. Dre, Eazy-E and the rest had played their signature anthem exactly one time on stage—at the Celebrity Theatre in Anaheim the previous spring. The group heard the shots and took off, only to run backstage into a line of cops, who threw them to the ground, handcuffed them and hauled them away. It’s a dramatic rebellion story that prefigures this era of anti-police-brutality protests, but the way it’s told in the group’s 2015 biopic Straight Outta Compton isn’t exactly true.

“‘We’re all running together and getting caught and getting thrown’—I guess that’s done for Hollywood,” says N.W.A.’s DJ Yella, who was on stage at the time. “We didn’t get arrested. All that commotion and we ended up getting a ticket, like $100 or something like that.”

In the film, Ice Cube gives a stirring speech to introduce the song: “This is N.W.A., we do what the fuck we want to do, we say what the fuck we want to say” and leads the 20,000-some fans in a middle-finger salute before gunshots ring out. In real life, according to people at the show, all it took to start the song was a brief flash of eye contact between Cube and Dre on stage. And those gunshots from the crowd weren’t really gunshots. “All of a sudden you hear bap, bap, bap, bap, bap. Guys are running, and guys are trying to storm the stage. And, of course, our security guys are fighting the guys who had stormed the stage,” recalls Atron Gregory, the group’s tour manager at the time. “Turns out it was the cops, and they had lit off some cherry bombs to create chaos.”

“I’m the person that was literally two feet away from the police when they lit the fireworks, or the firecrackers,” says DJ Speed, who performed with the group on stage. “It was a crazy thing.”

Because the police responded to “Fuck Tha Police” so quickly and forcefully, the film strongly suggests that, somehow, officers had the authority to tell hip-hop groups what they could and couldn’t say or play on stage. But that’s not quite the case. In fact, the restriction came from N.W.A.’s inner circle. The late Eazy-E’s manager, Jerry Heller, agreed in pre-tour negotiations with Darryll Brooks, the tour’s promoter, that the band would be fined $25,000 if it played the song.

Why? Brooks, Heller and the band’s agent, Jerry Ade, feared the song “was not going to be palatable” to conservative localities. “When you go to the Bible Belt, to the Midwest, they don’t allow sexual gyrating postures on stage,” Brooks recalls. In his 2006 autobiography Ruthless, the late Heller explained how the police came to enforce the contract: “Insurance carriers required police security as a condition of issuing a policy. No police, no policy. No policy, no concert. So Detroit police threatened to boycott those fuck-the-police motherfuckers, N.W.A.”

Although he wasn’t present in Detroit, Sir Jinx, a producer who also performed with the group, says police had an agenda to intimidate N.W.A.’s mostly young, African-American fans. “They were just being bullies,” he says. “It was a show to the audience that they were in control.”

And so on August 6, 1989, many of the 20,000 fans in Detroit started chanting “Fuck Tha Police,” so N.W.A. called an audible and played it anyway. Brooks was working in an office somewhere in the arena when he heard the chant, followed by DJ Yella’s familiar opening beat drop. Cops were everywhere, Brooks says, because it was a “‘rap show’—put that in quotes—so everybody was looking for marijuana.” He ran towards the stage, and soon “every police officer in the building starts rushing the stage out of nowhere. It looked like the Battle of the Bulge.”

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