Duqingna is a remarkable classical singer whose journey into the world of music is deeply rooted in her Mongolian heritage and early exposure to traditional Chinese music. From a young age, it was evident that she possessed an innate talent for melody and rhythm, a gift that was further nurtured by her rich cultural background.
As an ethnic Mongolian from Inner Mongolia, China, Duqingna was surrounded by a community that excelled in singing and dancing, where music was an integral part of daily life. This environment, coupled with her early training in traditional Chinese instruments, laid a strong foundation for her musical abilities. Her natural talent for singing was recognized early on by those around her, leading her to explore this path more seriously.
Duqingna’s first major experience in the United States was in 2021, when she was invited to perform in the “Gloria In Excelsis Deo Christmas Concert.” This opportunity was particularly memorable as it was her first time being invited to sing at an American concert. The invitation marked a significant milestone in her career, instilling in her a sense of responsibility and pride.
After she’s well known in the classical music circle, she was once again invited by the same director to perform at the “A Dialogue for Peace,” this time requested to sing a Chinese song, “Jasmine Flower,” with a choir. This invitation not only allowed her to share Chinese culture with a new audience but also highlighted her growing reputation as a versatile and culturally connected artist.
In 2023, Duqingna participated in the Trentino Music Festival, where she was initially assigned the role of the First Spirit in Mozart’s opera “Die Zauberflöte” (The Magic Flute). However, due to a misunderstanding, she mistakenly prepared for a different role. Faced with the challenge of learning a new role in just two days, Duqingna surprised herself by successfully mastering the First Spirit’s part in German, a language she had only recently begun to study. This experience revealed to her the power of determination and the ability to push beyond perceived limits.
Throughout her studies, Duqingna was mentored by Neil Rosenshein, a teacher who played a crucial role in shaping her vocal technique. His personalized approach to teaching, which catered to her unique vocal characteristics and personality, ensured that Duqingna received the guidance she needed without developing bad habits. His method of pushing her to tackle her weaknesses while providing supportive and tailored instruction was instrumental in her development as a classical singer.
Duqingna draws inspiration from renowned lyrical sopranos such as Renée Fleming and Maria Callas. She admires Fleming for her emotional depth, traits that Duqingna aspires to embody in her performances. Looking ahead, Duqingna envisions a career that continues to blend performance with education. She hopes to further refine her vocal technique and receive more invitations to perform, while also contributing to the field of music education.