Movies

International box office was led again by China this weekend with local titles A Little Red Flower and Shock Wave 2 at the top of the charts, and Disney/Pixar’s Soul continuing its jazzy run there. The Pete Docter-directed original is soon to become Pixar’s No. 3 highest-grossing title ever in the market. Other weekend highlights
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As we first told you last month, Legendary and Warner Bros are poised to settle their fight over Godzilla vs. Kong, the fourth monster movie between the two which the former financed the $200 million-plus production at 75%, with the movie keeping its simultaneous theatrical and HBO Max release date May 21. Meanwhile, a settlement over
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In the midst of some massive restructuring at Disney, Deadline has confirmed that Disney vet Tony Chambers has been upped to EVP of Theatrical Distribution. He’ll oversee both domestic and international film distribution as well as home entertainment. I understand that there’s even reassignments going on in the corporate communications and publicity departments as well
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CinemaBlend participates in affiliate programs with various companies. We may earn a commission when you click on or make purchases via links. It’s no secret that superhero movies are everywhere. The genre has proven itself endlessly profitable over the years, with a variety of studios starting their own cinematic universe as a result. Playing a
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Paramount made it official tonight that Lee Daniels’ The United States vs. Billie Holiday is off their theatrical release schedule. We first told you on Christmas Eve that the movie was headed over to Hulu, however, it wasn’t clear at that time whether Paramount would still wind up handling theatrical. Doesn’t look that way, and I hear
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FAREWELL AMOR, an IFC film that currently holds a perfect rating of 97% on Rotten Tomatoes and rated positively by 30+ film critics is being shown is select theatres across American today including Los Angeles, Boston and Phoenix, and is available nationwide to rent or buy on streaming platforms including Amazon Prime, Google Play and Vudu.   Produced by Lucky 13 Productions, FAREWELL AMOR, was received
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Director: Jessie Nelson Writer: Steven Rogers (screenplay) Stars: Steve Martin, Diane Keaton, John Goodman, Ed Helms, Amanda Seyfried, Alan Arkin, Marisa Tomei, Olivia Wilde, Anthony Mackie Classic Christmas movies have a magic that can’t be manufactured, and “Love the Coopers” certainly embodies that. From the mind of Steven Rogers, who wrote the hit romantic film ‘PS I Love You’, ‘Love The
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To say that I wasn’t expecting this film to be what it was might be an understatement. Wonder Woman 1984 was delayed, delayed, and delayed. First by so-called “quality” issues, and then by a global pandemic. It was originally supposed to come out in December of last year, but , due to the aforementioned issues,
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Exclusive Details Tanya Roberts‘ feared she had contracted COVID-19 before collapsing at home … but doctors believe a serious infection — not COVID — is what killed the actress. The late actress’s partner, Lance O’Brien, tells TMZ … Tanya said she felt short of breath, tired and had tightness in her stomach just days before
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The specialty box office space entered 2021 with two fresh titles and one under-the-radar pic with Vertical Entertainment’s Shadow In The Cloud, Netflix’s Pieces of a Woman and Amazon Studios’ Herself. In general, reporting on box office numbers has been tricky ground considering circumstances and that will continue in 2021 — especially with the specialty box
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Principal Joe Louis Clark, whose tough-as-nails approach was the subject of the movie “Lean on Me,” has died. Joe’s family says he passed away Tuesday at home in Gainesville, FL after a long battle with an undisclosed illness. He was surrounded by family members, but will also be mourned by hundreds, if not thousands, of
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It’s historically been a week when we’re reporting on Star Wars movies doing a daily box office average of $20M, but in this distressed Covid environment where 60% of all U.S. and Canadian theaters are closed, we have only to highlight that Warner Bros.’ Wonder Woman 1984 did an estimated $22.5M in its first week. Eeesh. Now
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