Movies

Before this youngin’ with her blunt bangs and beaded hair ties turned into an A-list celebrity and actress, she was just playing soccer, competing in gymnastics and singing in the local plays in Boulder, Colorado. This star has been in a hand full of iconic shows and movies like playing Lara in “Rules of Attraction,”
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D. Barry Reardon, former longtime Warner Bros. President of Sales and Distribution, has died at 92. The exec known as “The Dean of Distribution” among industry peers and filmmakers passed May 27 in Vero Beach, FL. Reardon was the head of theatrical distribution at Warner Bros from 1978-99, and was known for breaking the mold
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 Sarah Paulson and Elle Fanning have signed on for a new adaptation of I Am Sybil, Flora Rheta Schreiber’s best-selling 1973 nonfiction novel. The project will center around one of the first mainstream cases of dissociative identity disorder. The movie will be directed by Mirrah Foulkes from a script she co-wrote with Jen Silverman. The movie will explore
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NEWS PROVIDED BYES NEWS PR A comedy parody of the inside makings of the movie industry involving NativeAmerican talent, egotistical character actors to be shot in old town SanDiego. The classic old western town sets the scene for a unique adventure inthe vein of Mel Brooks films, Bowfinger, City Slickers, and Tropic Thunder. In this
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After the massive weekend success of Sony Animation’s Spider-Man: Across the Spider-Verse, many rival studios are looking at executing their comic book IP differently on the big screen. Quite often, animated superhero projects are released directly to the home (think Warner Bros-DC’s myriad superhero toon movies like 2010’s Superman/Shazam!: The Return of Black Adam and
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Columbia Pictures’ and Sony Pictures Animation’s Spider-Man: Across the Universe is casting its web in international box office markets with  $13.5M through Thursday. That’s 2.5x the original in like-for-likes.  Notable in early reporting, India broke the local all-time opening day record for an animated movie with $610K while releasing on a non-traditional Thursday. The launch day gross is higher than
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Hulu has released the trailer for ‘Jagged Mind’, the forthcoming queer psychological thriller, which will debut on June 15. “The film is about a woman plagued by blackouts and strange visions that lead her to discover she’s stuck in a series of time loops, possibly related to her mysterious new girlfriend,” reads the synopsis. Email: neill@outloudculture.com
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A24 follows You Hurt My Feelings last weekend with dual-language romance Past Lives, starting a platform release on four screens in New York and LA including Q&As led by talent who have been champions of the film, including Steve Buscemi, Jodie Turner-Smith and Lulu Wang. Expanding this month. The Sundance premiering pic by Celine Song,
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EXCLUSIVE: Sony Animation’s Spider-Man: Across the Spider-Verse is doing some serious business tonight according to box office sources, accumulating $16M off previews that began at 3PM at 3,562 theaters. That’s the second best preview night ever for an animated movie after Disney/Pixar’s Incredibles 2 ($18.5M) from June 2018. Disney/Pixar’s Toy Story 4, with $12M, is
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Blumhouse and Screen Gems are currently developing a spin-off to the successful horror film Insidious. It’s set to be called Thread: An Insidious Tale, with Mandy Moore and Kumail Nanjiani set to lead the film. ‘Thread’ will be directed and written by Jeremy Slater, with James Wan serving as a producer through his Atomic Monster banner. According to Deadline Mandy
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Last night at the world premiere of Spider-Man: Across the Spider-Verse there was a huge sigh of relief from the mass of animators inside Westwood’s Regency Village Theater: the $100M budgeted sequel to the Oscar winning animated movie, Spider-Man: Into the Spider-Verse, was done; having completed post-production literally just ten days ago after a five-year
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Talk about legs — or, more appropriately, wings: Paramount/Skydance’s Top Gun: Maverick is still playing in Japanese cinemas a full year on from its debut. Continuing on from a stratospheric and super-leggy run, the sequel, on its 365th day of release, became Tom Cruise’s biggest film ever in the market. In doing so, it overtook
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