Pop Culture

Apologies to the Queen Mary Wolf Parade Sub Pop 27 September 2005 With the seemingly ever-growing list of “wolf” bands circa 2005 (Wolf Eyes, Wolfmother, Superwolf), Wolf Parade could have been nothing more than a novelty act, especially considering their slapdash formation. This was a time when the indie apparatus felt compelled to churn out
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One doesn’t have to be a Buddhist to know life is full of pain and suffering, and then you die. Sure, there’s more to it than that, but the existential reality cannot be denied. How we deal with it reveals a great deal about our character. Singer-songwriter/guitarist Tommy Talton knew he was dying of cancer
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W What did you hear? Really. Blonde on Blonde’s nasally whine or Nashville Skyline’s country croon? Which one is Bob Dylan’s real voice? Despite, or perhaps because of, Dylan’s vocal masks, his voice rings true. Or, according to Steven Rings, author of What Did You Hear? The Music of Bob Dylan, you believe it does.
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Richard Patrick’s story is one of rebellion, ambition, and fractured mentorship. Once the touring guitarist for Nine Inch Nails, known as “Piggy”, Patrick left Trent Reznor’s shadow to forge his own path with Filter. His journey was far from a straightforward rise. It was a complex dance between admiration and defiance, control and chaos, loyalty
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Despite not fitting the tropical stereotype often attributed to (and intensely exploited by the Latin music industry, Argentina has always found ways to stand out. Historically known for tango and one of South America’s richest rock legacies (thanks to names like Fito Páez and Soda Stereo), the country is also an inexhaustible source of pop
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Swiss label Bongo Joe has been an unstoppable force of cosmopolitan post-punk gems this year, and perhaps no single-artist release encapsulates their 2025 sound more cleanly than 2, the trilingual sophomore release from Yalla Miku. The lineup has shifted since their first album. However, the sonic scope remains very similar, as the group trace their
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From synth-pop mimicry to thrash-industrial chaos, Ministry’s four-decade evolution is less a career arc and more a chemical reaction: unstable, volatile, and guided by the dark alchemy of Al Jourgensen. Even the band’s name, “Ministry”, evokes something both political and religious — a morphing symbol suited to whatever Jourgensen needs it to mean at the
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Patricia Brennan is a master composer and improviser on mallet percussion, and her last album, Breaking Stretch, was a high-arcing highlight of 2024 in jazz. The follow-up, Of the Near and Far, is also one of the best and most exciting albums of this year in creative music. Although Breaking Stretch incorporated subtle electronic elements
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Begin to experience the music of Charlie Bruber by dropping the needle on the first track of his new record. You’ll likely be pleasantly surprised by the sheer variety of everything that follows. Prized Burden, Burber’s second album, begins with the song “Charlie?”, a spacey, widescreen instrumental soundscape featuring Burber on an Oberheim OB8 synthesizer,
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Shooting Star, the new album by Philadelphia-based band Golden Apples, begins and ends with its outlier songs. Opener “Another Grand Offering for the Swine” is a brief dirge that’s over before you’ve even had a chance to decide whether you like it or not. Meanwhile, the closing track, “How Long Must I Stay in This
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Terry Klein’s fifth studio album, Hill Country Folk Music, offers a moving meditation on aging and memory in intimate and environmental terms. He knows he’s getting older. Youth has passed him by, and the natural world has become a less lovely place, but he’s not old yet, just older, and the despoiled ecology still has
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The Berlin-based, multidisciplinary artist Lisa Harres brings their poetic sensibility to their debut album, Time As a Frame. Some albums are purely records, others are worlds—Time As a Frame is firmly in the second camp. Across nine songs and three interludes, Harres sets oblique imagery to sparse, classical-inspired arrangements, bolstered by orchestral flourishes—the result: a
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Unlike the Spaghetti Westerns, the Red Westerns produced beyond the Iron Curtain are largely neglected by film researchers, and virtually unknown to American viewers. The East German and Romanian film industries adopted and adapted this classic American film genre to their ideological and national contexts during the Cold War. The Westward expansion has been mythologized
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100. Gnarls Barkley – St. Elsewhere [Downtown] It begins with the click of a film reel. Then, it explodes into a manic gospel circus fronted by a multi-octave ringmaster. Two minutes later, 2006’s most infectious single cuts through the cacophony. In case you slept through 2006, that album isSt. Elsewhere,and that song is “Crazy” by
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