Horror

Netflix’s Castlevania animated series helped break barriers for not only its medium, but also the longstanding stigma that video game adaptations were doomed to fail. Castlevania gracefully bowed out after telling a complete story over the course of four seasons. However, it was revealed that the franchise would continue, albeit with new Castlevania series within
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The tenth entry in any franchise, let alone horror, is a monumental milestone. What began in 2004 with Saw, a twisty thriller that introduced John “Jigsaw” Kramer as a mastermind trap engineer, quickly gave way to an enduring horror franchise where the traps got gnarlier and the timeline increasingly more convoluted once Jigsaw and favorite apprentice
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After helping to pioneer Italy’s budding giallo genre throughout the 1970s with influential titles like The Bird with the Crystal Plumage, The Cat o’ Nine Tails, Four Flies on Grey Velvet, and Deep Red, Dario Argento took a brief sabbatical from the lurid thrillers to explore supernatural elements in Suspiria and Inferno. When the latter
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It’s been a while since we’ve gotten a tried and true, serious-in-tone creature feature, or at least one in which the creature in question is a real-world animal and not a fictitious monster. This sub-genre often finds its roots planted firmly in horror comedy or, intentionally or not, camp. So it’s refreshing that Infested (formerly titled Vermin),
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Andrew Cumming’s feature directorial debut, The Origin, executes its high concept with impressive ambition. Not only does it travel back 45,000 years in time to tell the survival thriller, but Cummings and screenwriter Ruth Greenberg developed a fictional language for its characters. Combined with a handsomely shot production, it ensures that The Origin beguiles, though it struggles to mine suspense
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Creator Mike Flanagan’s latest and final series collaboration with Netflix, “The Fall of the House of Usher,” takes on the works of Edgar Allan Poe. Much like “The Haunting of Bly Manor,” Flanagan’s latest uses a classic short story as the central narrative framework to remix a variety of Poe’s macabre poems and short stories but with Flanagan’s signature
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Writer/Director Brian Duffield (Spontaneous, Love and Monsters) continues his streak of housing affecting metaphors within thrilling genre features with his latest, No One Will Save You. In this instance, a woman alienated from her community finds herself contending with highly intelligent, hostile aliens from another planet. In Duffield’s capable hands, a journey through self-forgiveness gets transformed into a propulsive,
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Based on the tales of Edgar Allan Poe, Mike Flanagan‘s final series for Netflix is “The Fall of the House of Usher,” and a 2-minute sneak preview clip has arrived today. The limited series from Intrepid Pictures is “based on multiple works from Poe,” and Netflix recently announced that “Usher” will premiere on October 12, 2023.
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The directorial debut of Fast & Furious actor Sung Kang, Bloody Disgusting’s SCREAMBOX and Fathom Events are bringing Shaky Shivers to theaters this coming Thursday, September 21! Frightening and funny, Shaky Shivers puts the camp back in summer camp when it opens in theaters NATIONWIDE for one night only on September 21 from Fathom Events and Bloody Disgusting’s SCREAMBOX. It’ll be a night of zombies,
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Those who have been enjoying Frictional Games’ Amnesia: The Bunker can expect a new Shell Shocked mode in the near future, according to Frictional Games’ Fredrik Olsson. Initially spotted by Rock Paper Shotgun, Olsson has been dropping hints on X/Twitter over the last little while for the new mode, which is expected just in time
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In May, The George A. Romero Foundation announced it was looking for writers. After several months of deliberation, the foundation and Bloody Disgusting are excited to announce their selection. Five selected writers will create their own standalone four-episode mini-seasons set within the universe of The Dead.  Joining the production team for the first season are:
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September 11, 2023 3:00 pm By Nadia Vella Jason William Karpf grew up with storytelling. The son of a screenwriter, he was a child actor in the early 1970s, appearing on classic TV shows such as The Bold Ones, The Courtship of Eddie’s Father, and Bonanza. Screenwriting became his calling from his teens to early
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Slasher riffs and parodies date back nearly as long as slashers themselves, dissecting the enduring tropes and familiar formulas. In Hell of a Summer, first-time directors/writers Finn Wolfhard (“Stranger Things”) and Billy Bryk (Ghostbusters: Afterlife) frame their slasher riff as a buddy comedy from the perspective of teens, aimed solely at teens. The directors’ acting backgrounds translate to an ensemble
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Director and star Kenneth Branagh’s Hercule Poirot gets reeled into another whodunnit in A Haunting in Venice. Unlike predecessors Murder on the Orient Express and Death on the Nile, the latest Agatha Christie adaptation trades in larger-scaled extravagance for a more intimate location that fully embraces the Baroque moodiness of its Halloween setting. While A Haunting in Venice might offer Poirot’s
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