Music

The phrase “patience is a virtue” certainly applies to Lucinda Williams‘ career. The Louisiana native released her first album in 1979 (Ramblin’), but she didn’t find widespread success until she released her self-titled 1988 album. In turn, Lucinda Williams featured “Passionate Kisses,” which hit it big in 1993, once Mary Chapin Carpenter covered it. Five years
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Whether it’s coming out of Nashville, New York, L.A., or points in between, there’s no shortage of fresh tunes, especially from artists who have yet to become household names. Rolling Stone Country selects some of the best new music releases from country and Americana artists. Morgan Wade, “Wilder Days” “I wish I’d known you in your wilder
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In October, outlaw country icon Ray Wylie Hubbard made his Austin City Limits headlining debut, and on Saturday (Jan. 23), fans will get to see the performance during a new episode of the long-running television program. Ahead of the episode’s premiere, however, Hubbard’s performance of his classic song “Snake Farm” is premiering exclusively on The Boot. “Snake
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Country Music Hall of Fame inductee Ray Stevens‘ contributions to the genre span over 60 years and include his work as a songwriter, session musician, producer and businessman. These varied roles remain no laughing matter for the namesake of Nashville venue the CabaRay Showroom. That said, any collection of Stevens’ most memorable tunes should be
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World renowned fashion designer/artist Nikki Lund starts off 2021 with a bang, with the release of her new single remix, “You and I”. She co-wrote her new hit song with Richie Sambora and Lauren Christy and felt there was no better way to start the year than with fresh music created by close friends. “You
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Devin Dawson‘s Pink Slip EP finds the singer-songwriter broadening his sound and style through six songs, including the cheeky, beat-heavy “Range Rover,” a song about a relationship that failed because she was in it for the status, not the love. Throughout the song’s three-ish minutes, Dawson name-checks Keith Whitley and Lee Greenwood over a plinky, trap-esque beat
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