Music

Ten years ago, on April 26, 2011, a brand-new TV singing competition, The Voice, premiered on NBC. A decade later, the show remains popular and is now in its 20th season. The Voice was adapted for American television audiences from The Voice of Holland, a Dutch show that premiered in 2010. The show’s premise — to audition relatively unknown
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Sam Hunt wears his heart on his sleeve in a new collaboration with pop singer-songwriter Sash Sloan, “When Was It Over?” The vulnerable, tender-hearted ballad finds the two in a call-and-response format as they explore all the should’ve-would’ve-could’ve moments that lead to the demise of a relationship. Sloan ponders if it was the non-existent fights or the time she missed his party
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Whether it’s coming out of Nashville, New York, L.A., or points in between, there’s no shortage of fresh tunes, especially from artists who have yet to become household names. Rolling Stone Country selects some of the best new music releases from country and Americana artists. (Check out last week’s best songs.) Kylie Frey featuring Randy Houser,
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On Sept. 4, 2002, Kelly Clarkson won the first-ever season of American Idol; today, she’s a music superstar, known for both her pop and country tunes. While that Idol win is certainly one of Clarkson’s biggest career moments, there are a few others that deserve a call out as well. Clarkson’s collaborations with stars such as Reba McEntire, Jason
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Kip Moore‘s new song “Good Life” comes with more grit than fans are used to, and that’s saying something. Hard-earned stories and raw arrangements are nothing new for the “She’s Mine” singer. With Jay Joyce on board as producer (and with Dan Couch as Moore’s co-writer), however, Moore’s country-rock becomes country-grunge. ”Good Life” presents a soulful, distorted sound that
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A strange thing has happened since Justin Moore last released new music. Words like “traditionalist” and “conservative” have become supercharged, almost divisive descriptors. A liberal-leaning country music consumer might be quick to heap all of his or her fears and opposing ideologies onto an artist that identifies as such. It’s the equivalent to the opposite: labeling anyone
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Carly Pearce chased the spotlight for years, since dropping out of high school to perform at Dollywood, before she found success. Now, looking back, she’s okay with the waiting and hustling she had to do; in fact, it’s been helpful. “Age is an asset,” Pearce told The Boot in early 2020. “I used to think it was
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