Pop Culture

Too often, dub is used as a superficial shorthand for slowed-down, chilled-out, reverb-laden instrumental bonus tracks. I tend to encounter “dub versions” of songs tacked onto the ends of albums like musical petit fours, which can come across as a tropicalist trope with broad appeal; who doesn’t like a breezy beat, after all? Other artists
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One scene defines D.A. Pennebaker’s 1967 documentary Dont Look Back (the title omits the usual apostrophe), which chronicles Bob Dylan’s 1965 UK tour at the ascension of his stardom. It’s the long shot from behind Dylan as he performs on stage surrounded by darkness, a single spotlight bearing down on him. One scene also defines
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In his debut novel, Not Long Ago Persons Found, poet and fiction writer J. Richard Osborn invites us into a shadowy landscape in which the murder of a child impacts the governments of two unidentified countries. This novel is doubly enigmatic: the narrative atmosphere is mysterious, intimidating, and obscured by ambiguous events, and the narration
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Twenty-six albums into their career, pop duo Sparks have maintained a level of sophistication that stands up with their older work, complete with a production sheen that gives their idiosyncratic backdrop a contemporary flavor. Having explored their shared history on Edgar Wright’s 2021 documentary The Sparks Brothers, Ron and Russell Mael have pointed their attention
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It had the makings of just another year. Annual archetypes were hollowed out anew, trends awaited the spark of resuscitation, and disappointments and surprises alike were handicapped by the legions of obsessives. The year saw its share of bands that altered their attack and, as a result, alienated factions of their fan bases while attracting
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Few albums embody rock’s essential contradictions as vividly as Guns N’ Roses’ Appetite for Destruction from 1987. It is both high art and primal sleaze, anthemic yet nihilistic, precision-engineered yet volatile, an album of self-annihilation that became a commercial monolith to rival Michael Jackson’s Thriller (1982). Released into a late-’80s rock landscape bloated with posturing
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Exploding Trees and Airplane Screams Patterson Hood ATO 21 February 2025 Patterson Hood’s passion for film has fed the numerous themed records he has released with Drive-By Truckers, from their calling card Southern Rock Opera to the myth-busting, incendiary The Dirty South. Hood’s latest solo album is a quietly powerful, frequently unnerving series of snapshots
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WITNESS Kronos Quartet and Mary Kouyoumdjian Phenotypic Recordings 14 March 2025 As a first-generation Armenian-American whose family was directly affected by the Lebanese Civil War and Armenian Genocide, composer, documentarian, and Pulitzer Prize finalist Mary Kouyoumdjian is eminently qualified to use her skills to create an artistic portrait of the horrors of violent conflict. Likewise,
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The Darkness are known for imbuing glam metal with homespun English kitsch, fuelled by Justin Hawkins’ piercing, polished falsettos and buzz-saw guitar riffs. A riff-driven band, the Darkness benefit from Rufus Tiger Taylor’s tom-tom heavy drums, and Frankie Poullain’s rubbery basslines. Their musical acumen was never in doubt, but their determination to write novelty songs,
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Once a cultural icon, Kanye West’s Yeezy brand has suffered a dramatic fall from grace. Now, one of the internet’s most passionate fan communities is shutting down in protest. The Yeezys subreddit is going read-only from this point forward. Why? They say that the Yeezy name is tarnished. They referenced the fact that Yeezy released
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