Pop Culture

The Killers celebrated the release of their new album, Imploding the Mirage, with a performance of the track ‘Blowback’ on The Late Show with Stephen Colbert. Check it out below. Originally scheduled for release back in May, Imploding the Mirage arrived this Friday (August 20) via Island. Following 2017’s Wonderful Wonderful, the record was co-produced by Shawn Everett and
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19-year-old singer-songwrter PHOEBE ΔXΔ has unveiled her debut single, ‘Wisdom Teeth (Pressure)’. Written, recorded, and produced by Phoebe herself, the emotive coming-of-age single comes with an accompanying music video directed by Ariana Xeno. Check it out below. “This single is my very reluctant response to growing up,” Phoebe said in a statement. “It explores the
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Earlier this year, musician and composer Aaron Kiely released his debut album, Long Nights in Dark Rooms. Aaron’s portfolio is an eclectic mix, including the soundtrack to the sci-fi comedy short Man-tis!, as well as the new melodies on his recent album. In Long Nights in Dark Rooms, each track flows into the next with
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Hinds and CHAI have joined forces for a new collaborative single titled ‘UNITED GIRLS ROCK’N’ROLL CLUB’. After teasing their latest collaboration for the past few weeks, the Spanish and Japanese groups have also unveiled an accompanying music video directed by Mariano Schoendorff. Check it out below. “‘UNITED GIRLS ROCK’N’ROLL CLUB’ is a song that screams
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While it has its moments, Monster Seafood Wars wears its central joke much too thin, and pads itself with inane sequences. Our Culture reviews the film here for its selection as part of the 2020 Fantasia International Film Festival.  Told in flashback, Monster Seafood Wars features a giant squid, a giant octopus, and a giant crab wreaking
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My hate for the nebulous, jittery, and useless term “people of color” can at least partially be blamed on celery sticks, cherry tomatoes, and ranch dressing. It was 2017 (I think). I was on a panel about anti-Blackness, but I don’t remember exactly where. (Pittsburgh, maybe?) I do remember that the organizers said that there’d
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Arms That Fit Like Legs, an electronic-instrumental trio from Dublin, Ireland, have presented a magnificent groovy track named What It Is Is. The song comes from their forthcoming album which due to be released next year. According to Arms That Fit Like Legs, the song was recorded during “a couple of socially-distanced Zoom session” — making
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While the rest of the music industry cancelled tours and pushed back record releases in response to COVID-19, Travis Scott pulled off the most ambitious concert of his career: as a floating plantoid head rapping to 27.7 million people in Fortnite. Like every one of the star’s concerts, it was electric and unforgettable. And like
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TSHA, a London-based music producer, is becoming one of the most exciting names in the world of electronic music. Just today, TSHA released her latest euphonious single Sister. The track comes before the release of her upcoming EP Flowers, which is due to be released on the 16th of October via Ninja Tune, starring collaborations
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For the past decade, A. G. Cook has been instrumental in carving out a new path for a generation of pop artists operating in the margins of the mainstream. Since he founded the hugely influential PC Music label in 2013, he’s excelled at staying mostly in the shadows, helping artists like Charli XCX redefine their
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In the current digital world, Lola Dupré’s collage art screams rebellion and provocation. We recently had the great opportunity to interview her and get a better understanding of her origins, influences and creative process. First of all, we’d like to know how you are doing these days with the current odd situation. We guess it
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This is Wait, What?, a column that explains the seemingly incomprehensible. One week ago today, Cardi B and Megan Thee Stallion blessed our weary nation with their video for “WAP,” a gleefully filthy sonic and visual ode to their genitalia. It features an infectious hook lifted from Frank Ski’s 1993 Baltimore club track “Whores in
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“These days they blame the atom for everything!” Bert I. Gordon’s Beginning of the End lives up to just about every cliché and stereotype of ‘50s science-fiction. It features oversized arthropods whose growth is galvanised by radiation; conventional weaponry is almost useless against the beasts; and lengthy monologues abound from a scientist-type, who explains scientific theories and
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