Pop Culture

What better way is there to mark Stephen Malkmus‘ past milestones and present achievements than to revisit his most memorable Pavement songs? Malkmus’ wordplay, enigmatic and open to interpretation as it was, revealed different aspects to Pavement, often hinting at a sentimental, emotionally in-touch side that belied the wiseacre reputation that preceded the band. This
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Asheville, North Carolina-based singer-songwriter Colin Miller’s latest record, Losin’, was written in the shadow of his friend Gary King’s passing. Miller became King’s caretaker in his final years, living in a home on King’s property and tending to his day-to-day needs for care and friendship. Losin’ is Miller’s way of working through his grief, but
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This year’s Coachella kicked off over two April weekends in Indio, California, drawing an estimated 125,000 attendees. It featured performances from prominent bands and artists like Green Day, Lady Gaga, and Post Malone, as well as recent sensations like Benson Boone. The “Beautiful Things” singer’s live cover of Queen‘s “Bohemian Rhapsody” sparked online discussions when
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One of the more fascinating solo artists I encountered while checking out the lineup for theKilby Block Partyfestival, which takes place 15-18 May in Salt Lake City, is a multidimensional Renaissance woman with a one-stage name. She isn’t Madonna, Rihanna, or Shakira.Want to take a guess? Sasami is a Northern California-based no-fear musician who learned
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Scowl’s debut, How Flowers Grow, was a blast of traditional-leaning hardcore that showed promise. However, the follow-up EP. Psychic Dance Routine, suggested they were already outgrowing a classic hardcore sound, incorporating more sung vocals from lead singer Kat Moss and embracing Riot Grrl and indie rock influences. This trajectory continues on Are We All Angels,
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For those concerned they won’t remember everything fromMission: Impossible — Dead Reckoning Part One, there is no need to worry. The half-hour preceding the credits ofMission: Impossible — The Final Reckoning(confusingly not titledMission: Impossible — Dead Reckoning Part Two) serves as a handy exposition download packet. Flashbacks from across the series’ nearly three-decade history flicker
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“The Weight” appears on the Band’s now legendary 1968 album Music from Big Pink. Wikipedia says that Robbie Robertson wrote the song. However, to borrow a phrase fromGeorge Gershwin‘s Porgy and Bess, it ain’t necessarily so. Or, to borrow a phrase from “Luck Be a Lady”, best known in Frank Sinatra’s version, “there is roomfor
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Too often, dub is used as a superficial shorthand for slowed-down, chilled-out, reverb-laden instrumental bonus tracks. I tend to encounter “dub versions” of songs tacked onto the ends of albums like musical petit fours, which can come across as a tropicalist trope with broad appeal; who doesn’t like a breezy beat, after all? Other artists
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One scene defines D.A. Pennebaker’s 1967 documentary Dont Look Back (the title omits the usual apostrophe), which chronicles Bob Dylan’s 1965 UK tour at the ascension of his stardom. It’s the long shot from behind Dylan as he performs on stage surrounded by darkness, a single spotlight bearing down on him. One scene also defines
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In his debut novel, Not Long Ago Persons Found, poet and fiction writer J. Richard Osborn invites us into a shadowy landscape in which the murder of a child impacts the governments of two unidentified countries. This novel is doubly enigmatic: the narrative atmosphere is mysterious, intimidating, and obscured by ambiguous events, and the narration
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