Horror

Julia Jones (pictured in the Disney+ series ‘”The Mandalorian”), Alano Miller (Sylvie’s Love), Johnny Sequoyah (Believe) and Jack Alcott (The Good Lord Bird) have joined Michael C. Hall and Clancy Brown in Showtime’s 10-episode limited “Dexter” revival series, reports Deadline. The descriptions of the new characters provide a clue about the setting of the follow-up
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Successfully funded on Indiegogo in a matter of hours, Dynamite and Cullen Bunn (Pumpkinhead) present Re-Animator: The Eternal Lie, a prestige comic soon on the way. The comic from Cullen Bunn and artist Blacky Shepherd connects the maniacal Herbert West from Re-Animator to the wider Cthulhu mythology of H.P. Lovecraft! The story serves as a
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The ball is in your court, Blumhouse. There may be no actual connections between the two but there’s no denying that Christopher Landon‘s horror-comedy slasher movies Happy Death Day and Freaky both seem to exist within the very same universe. They have incredibly similar sensibilities, at the very least, which has led many fans to
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Warner Bros. made the announcement late last year that they’re bringing their entire current 2021 theatrical slate to both theaters and the WarnerMedia streaming service HBO Max at the very same time, and that includes huge films like Godzilla vs. Kong, Dune, The Conjuring: The Devil Made Me Do It, James Wan’s Malignant, Mortal Kombat and more. That all sounds great, yeah? Well,
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Oscar Isaac is headed back into the world of Marvel with the upcoming Disney+ series “Moon Knight,” which is being developed by Jeremy Slater (“The Exorcist”). Mohamed Diab (Clash) is on board as director and showrunner, and The Hollywood Reporter brings us the exciting word this week that Justin Benson and Aaron Moorhead (Resolution, Spring, V/H/S:
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Ahead of the February 5th release of his album Lost Themes III: Alive After Death, John Carpenter is back today with brand new music. This time, the title track off the new album. The press release explains… “Alive After Death” is a brooding, suspenseful embodiment of the exhilarating, spine-chilling, story-telling aesthetics that have established Carpenter
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There’s a good chance you probably already own multiple copies of Universal’s classic monster movies, but those who haven’t yet added them to their collections will be happy to hear that Universal is bringing several of the top classics to YouTube this month… for free! Originally announced by NME, the Universal Monsters will be making
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1. Hadestown Hadestown arrived on Broadway in 2019 with a splash. At the 73rd Tony Awards, it netted 14 nominations and won 8—including Best Musical and Best Original Score—establishing it as the production of that season. A modern adaptation of the Greek myth of Orpheus and Eurydice, Hadestown finds Orpheus in a Great Depression-inspired post-apocalypse.
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After making a name for himself in the horror world as the writer of Danny Boyle’s 28 Days Later, Alex Garland went on to direct the genre films Ex Machina and Annihilation, most recently creating the FX/Hulu series “Devs.” Garland had recently teased that he’s working on a new horror movie, and details on what may be a different project have
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Robert Rodriguez (From Dusk Till Dawn, Sin City, Planet Terror, Machete) returns to the kid-friendly vibes of the Spy Kids movies with Netflix‘s We Can Be Heroes, which just launched globally on Netflix on December 25. And the film has proven to be a hit for the streaming service, as it’s projected that 44 million households will have watched it
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Nickelodeon released today the first footage from their second season of “Are You Afraid of the Dark?”, the beloved horror anthology series that returns with a fresh look at the Midnight Society. In addition, the teaser revealed the official title as “Curse of the Shadow”, which is in reference to the newest villain known simply as
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No matter how the year panned out, at least horror was bountiful. Just a precursory glance at the most notable genre series that released in 2020 indicates an overwhelming selection. Spread across multiple platforms and streaming services, the sheer content available meant a staggering number of brand-new series, limited runs, returning favorites, and shows that
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